Some might call it art; I call it therapy.
Some might call it art; I call it therapy.
Acrylic on Canvas, 2000×400. Based on a panoramic photograph I took of the Glasgow Skyline at Sunrise some years ago. There is a “piece within the piece”, “Hiding in the woods” which has lots of hidden motifs and symbols relevant to my journey to here…
Acrylic, UV and Glow pigment on Canvas, 900×900 (enneaptych – 9x 300×300 panels) My first fully RGB active, UV and Glow in the Dark piece for some time, the various panels “appear” or “disappear” under various levels of Red, Green or Blue light. The moon in the centre also phases in and out of visibility …
Acrylic, UV and Glow pigment on Canvas, 400×1500.
Acrylic and UV Pigment on Canvas, 700×700. This is a “night mode” painting – it only really works under UV light.
Acrylic on Canvas, 300×900. The third rose for my UV wall, to join “Mackintosh Rose” and “Powder Rose” – completing the set. The top two panels mirror “Twin Roses #2”, and were painted at the same time – technically making these triplets. The differences being the size of the panels (the top two panels would …
Acrylic and UV on Canvas, 250×450. My second set of “Twins”, painted at the same time with the same pigments and techniques. This makes use of specialist metallic paints for the leaves (thanks, L), and the internal frame of the rose. I’ve also used some iridescents for the framework. Technically, this is a triplet – …
Acrylic and UV Pigment on Canvas. 500×500. Trialling some iridescent paints which change depending on the angle you view them from. From the correct angle, you get shimmering colours. From the wrong angle, all you see are dark panes on the rose.
Acrylic on Canvas, 1000×700. The Forth Rail Bridge, Tunnocks Caramel Wafer, and a bottle of Irn Bru 1901 (the “modern” version couldn’t support diabetes, let alone a railway bridge!). It can get much more Scottish, but this will suffice for now 😀.